“I weary for the torrent leaping” [“Song”]
Date
Sometime between July 1832 and April or early May 1833, and within that span perhaps closer to
April 1833.
In
Poems by J.R. (1850),
the
“Song” is ascribed to “aetat. fourteen”—that is,
between 19 February 1833 and February 1834
(
Poems by J.R. [1850], 3).
W. G. Collingwood
dated the poem earlier than the date ascribed in
Poems by J.R., assigning the poem to “some time before the author actually reached the age of fourteen”, suggesting that
Ruskin wrote it in
“winter 1832–33”.
Collingwood based his rationale on “the position of the rough draft” in
MS VIII,
and on the supposed “fact that the author had not been among mountains that year, but only to
Dover and
Hastings”,
thus accounting for the poemʼs nostalgia (
Poems [4o, 1891], 1:115, 280;
Poems [8o, 1891], 1:116, 282;
and see
The Ruskinsʼ Visits to Seaside Resorts and Spas).
The poemʼs position in
MS VIII allows for a broad span of possible times of composition,
from July 1832 to April or early May 1833
(see
Composition and Publication).
Composition and Publication
The poem was first published in
Poems by J.R. (1850),
having been selected by the editors as the opening poem of that collection (pp. 3–4). It was reprinted in
W. G. Collingwood, ed., Poems (4o, 1891), 1:115–16;
Poems (8o, 1891), 1:115–16; and
Ruskin, Works, 2:3–4.
In
1879, the scholar and book collector
W. E. A. Axon (1846–1913)
featured the poem in
“John Ruskin: A Bibliographical Biography”,
taking the text from
Poems by J.R.
Within that sequence, the position of
“I weary for the torrent leaping” suggests
that
Ruskin composed it closer to
April 1833, when he would have drafted
“My Fatherʼs Birthday: The Month of May”.
This inference confirms the poemʼs association with age fourteen according to
Poems by J.R.
At this time,
Ruskin would have been eagerly anticipating the familyʼs departure for the
Tour of 1833,
their first major tour of the Continent.
The
MS VIII draft is annotated in the hand of
John James Ruskin,
who penciled numbers next to stanzas, indicating his rearrangement of the poem for
Poems by J.R. (1850) (see textual glosses).
Discussion
The poemʼs topic may have to do less with yearning for mountain scenery than with desire to compose verse about scenery of any kind.
Collingwood thought it “curious that [
Ruskinʼs] mountain‐yearning
does not carry him back to
Snowdon”, a highlight of the
Tour of 1831, which included
Wales,
“but to earlier visions of the
Lake Country, his first and last mountain‐love”
(
Poems [4o, 1891], 1:280;
Poems (8o, 1891), 1:282).
The yearning is not just for place, however, but also for song: “My harp is sunk to rest” and “My lyres voice is still”.
In
1832,
Ruskinʼs parents decided to check the amount of time and energy
Ruskin could devote to poetry composition. Concern had arisen, particularly on
Margaret Ruskinʼs part,
over
Johnʼs voluminous versifying during
1831–32,
in which he was encouraged by his
fatherʼs rewards of a farthing or halfpenny per line of poetry.
Now, in
January 1833,
John James repentantly wrote to a friend, “We restrain his poetic Efforts”,
even as the proud father enclosed a sample of
Johnʼs writing (a letter, not a poem), and boasted how his
“Talents” were “great for his age” (letter to
Richard Gray,
17 January 1833,
in
Burd, ed., Ruskin Family Letters, 276; and see
Hanson, “Psychology of Fragmentation”).
In
1849, when preparing the
Poems by J.R. (1850),
John James may have remembered the circumstances of this poemʼs composition. If so, he was playing a complicated family joke by placing the
“Song” at the head of the collection.
Ruskin had now silenced himself as a poet, abandoning his “lyreʼs voice” for prose composition.