“mistwreaths” (MS IA, g.1; MS IX; Poems [1891]; Works [1903])—The compound occurs in
at least two poems by
Walter Scott (1771–1832).
In one,
“On the Massacre of Glencoe” (
1814), a minstrel names things
that retain “lone security”, such as the “mist‐wreath” which “has the mountain‐crest”,
as opposed to the slain and dispersed Highland victims of the
Glencoe massacre, who were betrayed on account of their Jacobite loyalties
(
Scott, Works, 50:151).
The other poem,
The Vision of Don Roderick (
1811),
may bear greater intertextual interest for
Ruskinʼs poem than merely providing a source of poetic diction.
Scott composed his poem as a heroic ode in Spenserian stanzas,
in support of relief to
Portugal during the
Peninsular War.
In the poem,
Don Roderick, “the last Gothic King of Spain”, descends into an enchanted “ancient vault, . . .
the opening of which had been denounced as fatal to the Spanish Monarchy”. Here, the king witnesses a vision of three future periods of crisis in the
Iberian peninsula,
the last involving the “unparalleled treachery of
Bonaparte”. In
Don Roderickʼs vision,
the attempted usurpation by the French is thwarted by “the arrival of the British succours”. As the vision dissipates,
the narrator looks forward to a triumphant conclusion: “though the Vault of Destiny be gone, /
King, prelate, all the phantasms of my brain, / Melted away like mist‐wreaths in the sun, / Yet grant for faith, for valour,
and for
Spain, / One note of pride and fire, a patriotʼs parting strain!”
(
Scott, Works, 47:275, 310 [preface, stz. 43]).
Line 10 of
Ruskinʼs poem may allude to such a vision of history, the “fairy vision of a dream”,
since the narrator has departed from the
Field of Waterloo, the scene of “British succours”,
in the preceding section of the “Account”
, “Brussels”, and now crosses the
Meuse River to enter a
Europe
liberated from the imperial ambitions of
Napoleon.