Placement in MS VIII and
Works (1903)—In the
Library Edition,
the editors printed this prose fragment in a note hung from the closing line of the poem,
“St. Goar”,
declaring that “the rough draft of the ‘Tour’ (viii [i.e.,
MS VIII]) contains at this point
the following prose passage“ (
Ruskin, Works, 2:360 n. 1);
however, this assertion is simply an error, since in
MS VIII
the prose passage appears on 62r, following a different poem (on 61v),
“Oh the morn looked bright on hill and dale” [“The Black Forest”].
(In fact, the draft of the poem,
“St. Goar”, is not contained in
MS VIII
at all, but in
MS IA, g.2.)
As confirmed by evidence internal to this prose piece, its contiguity to
“Oh the morn looked bright on hill and dale” [“The Black Forest”]
is owing to
Ruskin carrying on with the associated prose to build a composite‐genre section. This composite probably corresponds
to the title,
“The swiss cottages”, listed in the
Plan for Continuation of the “Account”,
between a section,
“Strasburg”, and a cluster of sections relating the first sighting
of the
Alps from
Schaffhausen:
“Schaffhausen”,
“The Alps”,
and
“The Fall of the Rhine”. See, in the apparatus for the
“Account”,
The Influence of Rogersʼs Poetry on Ruskinʼs Planned Extension of the Composite‐Genre Travelogue to Italy and Switzerland;
and see also the contextual glosses for
“Passing the Alps”.