“On the Rainbow: In Blank Verse”
Manuscripts
Facsimiles by permission of John Ruskin Collection, General Collection, Beinecke Rare Book and Manuscript Library, Yale University. Transcriptions of texts and commentary © David C. Hanson.
Date
January–March, perhaps specifically March 21.
There is a possibility that the poem originated in early 1826.
Discussion
Ruskinʼs pun in the repeated word
reflect, meaning both
contemplate and
mirror, becomes evident when the poemʼs source is identified not only with
Genesis 9:16,
but also in a scientific work, such as
Jeremiah Joyceʼs
Scientific Dialogues,
in which the rainbow is explained as a phenomenon of light
reflection and refraction (
Joyce, Dialogues, conversation 18, “Of the Rainbow” [3:94–100]).
The poem is possibly linked to two drawings in
MS I.
In the
“Frontispiece” or plate “1”
to
“Harry and Lucy”, Vol. 1,
Ruskin
crudely depicts a rainbow in a rainy sky, from which the sun has emerged
(the bow resembles the outline of a hill, but
Ruskin helpfully labels the object as a “rainbow”).
Since the frontispiece takes up an entire page by itself and faces the title page of the volume, no evidence precludes
Ruskin
having drawn this picture at the same time that he entered
“On the Rainbow: In Blank Verse” at the end of the notebook.
It is just as likely, however, that
Ruskin added this poem in
1827 to the end of
“Poetry” [MS I Poetry Anthology] in order to
complement the pre‐existing frontispiece, which he would have drawn in
September–October 1826
to serve as both the frontispiece and a part‐title page for
“Harry and Lucy”, Vol. 1.
(That the drawing belongs to the earlier period is suggested by its level of skill, exhibiting
Ruskinʼs most juvenile tendency
to line up objects on a single plane, a feature that is gradually replaced by more complex perspectives over the sequence of this
Red Bookʼs
illustrations (see
“Harry and Lucy”, Vol. 1: Discussion).
A second drawing,
“Heights of Wisdom, Depth of Fools”,
which concludes the volume on the back endboard, represents an allegorical diagram of the “heights of wisdom”
and “depths of folly”. Wisdom and folly might describe those who, according to this poem, reflect or
fail to reflect, respectively, on the sign of Godʼs covenant. This drawing is dated
21 March, which
(provided that date refers to
1827, and not
1826) would accord
with a tentative dating of composition to
January–March 1827.
The allegorical drawing and
“On the Rainbow: In Blank Verse” also converge with
“The Ship” and “Look at That Ship” [1827],
which
Ruskin dated as “
febuary [sic] or march 1827”.