“The Ship” and “Look at that Ship” [1827]
Manuscripts
Facsimiles by permission of John Ruskin Collection, General Collection, Beinecke Rare Book and Manuscript Library, Yale University. Transcriptions of texts and commentary © David C. Hanson.
The inclusion of the latter manuscript in
MS XI
suggests that someone interpreted the sheet as originally having been enclosed in a letter or as having
formed a kind of epistolary communication in itself—such as the
New Yearʼs Poem presentation copies,
which are bound in
MS XI.
The only evidence qualifying this manuscript as a communication of this kind are two horizontal folds of the sheet; nothing on the
reverse, in
Ruskinʼs
own hand, indicates such an intention,
although an annotation on the reverse in the hand of
Margaret Ruskin may supply a clue (see
Discussion).
Date
February or March 1827.
Ruskin dated the
MS XI
witness as “
febuary [sic] or march 1827”. On the reverse, another
hand, probably
Margaret Ruskinʼs, wrote “
16 Feby 1827”.
Immediately above this date, the same hand wrote an obscure notation, “No [
or possibly Mo] 6817”.
Ruskinʼs
two‐month scope for dating his own manuscript
suggests uncertainty, whether about a date of composition prior to this fair copy or about the
date of the fair copy itself. The latter possibility, as if
Ruskin returned later to add the date to the manuscript,
seems eliminated by the fact that he wrote this date in the same hand and medium as that used for the manuscript as a whole: he wrote this date in pencil,
rather than with pen and ink, which he had learned to use by the time he fair‐copied the poem in the
MS III Second Poetry Anthology (see
The Ruskin Family Handwriting).
As more evidence that the annotation “febuary [sic] or march 1827” is contemporaneous with the
MS XI version, someone appears to have erased material in this copy, probably in order to make it
accord with a change that Ruskin made in the MS III fair copy (see gloss to line 4 of the poem).
While the changes to the two manuscripts could have occurred in either sequence, it seems likelier that Ruskin made the change while
fair‐copying the poem in MS III, using the MS XI version as his copytext,
but making the erasure in MS XI when he discovered an error in verb tense.
If the
MS XI version is the earlier one, therefore, why did
Ruskin so carefully add
the conjectural date? An attractive hypothesis is that he was imitating
his motherʼs similarly tentative manner
of dating in her notation of
MS I,
“this book begun about
Sept or Oct 1826 / finished about
Jany 1827”.
If the date “
16 Feby 1827” is correct, which was written, probably by
Margaret,
on the reverse of the
MS XI witness, the original text was composed only a few weeks after
Margaret made that annotation to
MS I.
If this hypothesis is correct, and
Ruskin was imitating
his motherʼs dating
of
MS I,
then the
MS XI witness of
“The Ship” and “Look at That Ship” [1827]
may be roughly contemporaneous with the final items that
Ruskin inserted in
MS I—that is,
those items that may have chronologically followed
Margaretʼs inscription. This convergence is especially notable respecting the drawing on the inside of the back endboard of
MS I,
“Heights of Wisdom, Depth of Fools”, which
Ruskin
dated
21 March (provided that date refers to
1827, and not
1826).
The convergence may also apply to the poems that are physically situated following
Margaretʼs dating notation amid the items making up
“Poetry” [MS I Poetry Anthology]—namely,
“On Papaʼs Leaving Home” and
“On the Rainbow: In Blank Verse”.
Discussion
While the
MS XI witness apparently served as a presentation copy,
no inscription indicates the occasion. A clue is provided by the docketing, probably by
Margaret Ruskin, dated
“
16 Feby 1827” (a Friday), which would have been about the date when
John James Ruskin departed home to collect sherry orders in
Biggleswade,
Huntingdon,
Kingʼs Lynn,
Norwich,
and
Colchester, returning home on
1 March 1827
(
Ruskin Family Letters, ed. Burd, 153 n. 1). It is tempting to think
of
Ruskin composing a poem about a ship in mid‐February because he anticipated his father traveling to the seaport town of
Kingʼs Lynn. The presentation copy may have been made then or at a somewhat later time,
explaining the uncertain dating in
Johnʼs hand of
February or March,
the period spanning
John James Ruskinʼs travels.
It is tempting, too, to think of
John James Ruskinʼs journey in
East Anglia as prompting composition of
“On Papaʼs Leaving Home”
in
“Poetry” [MS I Poetry Anthology],
since
February 1827 falls within this anthologyʼs possible dating range. These poems responding to
John James Ruskinʼs
absence could therefore be viewed as
Johnʼs side of a father/son dynamic that produced the immediate context leading to the
fatherʼs accolade of
the boy as “the most intellectual creature of his age that ever appeared
in any age” (
letter of 21 February 1827 [
Ruskin Family Letters, ed. Burd, 152–53]).
The
MS III witness,
entitled “
THE SHIP” and with “
Look at that ship” forming its first line,
must belong to activities almost a year later, since it immediately follows poems dated
1 January 1828.
Another poem,
“The Ship” [1828–29], which is likewise contained in
MS III (as part of the
MS III Third Poetry Anthology),
might also be included here as a later witness of the
1827 poem. Beyond the first three lines, however, the
1828–29 poem differs so
substantially that it should be treated as a distinct work. In the later poem,
Ruskinʼs intentions have shifted toward expressing a patriotism that is
wholly absent from the earlier work, and that considerably expands the length and rhetorical range of the poem. At the same time, some rhetorical features of
the earlier poem remain present in the later one, if not identically expressed, such as
Ruskinʼs interest in relevant sizes and distances. The
1827 and
1828–29 pieces raise an interesting case for probing the distinction between
work and
witness, and it
is quite possible to see
1828–29 as part of the unfolding intentions of one witness to another, in a very open‐ended conception of a single work called “The Ship”.